Korg has remedied that here with the inclusion of multiple resonant filter models, including emulations of both the Polysix and MS-20 filters. One of the weaker aspects of the original Wavestation was its filter, which lacked resonance and character. The Wavestate receives polyphonic aftertouch via external MIDI, but it’s a shame not to have it built-in. There’s one omission on the modulation front though, in that there’s no aftertouch from the built-in keyboard (although it does have velocity and release velocity).

There are also six assignable performance, rotaries on the front panel, a complex modulation matrix – allowing for the depth of any routing to be modulated by a secondary source – and a pair of Eurorack-like modulation processors. There’s a lot more to the Wavestate’s modulation options aside from this though, including per-voice envelopes and LFOs for amp, pitch and filter, plus an additional LFO for pan position (each of the Wavestate’s 64-voices is stereo).

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